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Nina Sadur as a playwright
Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
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Original Czech Drama and Contemporary Drama in 70s of 20th Century
Šiller, Jiří ; Mocná, Dagmar (advisor) ; Peterka, Josef (referee) ; Brožová, Věra (referee)
Resumé This academical work called The Original Czech Drama and Contemporary Drama in 70s of 20th century looks back at 70s as the first ten years of Normalisation. The period was restricting in the field of literature. The authors could not write freely. The regime put borders to limit their work. The original drama shows how the culture acts under pressure and without freedom. Obviously, the literature describing current times was disadvantaged opposed to the literature which describes "get away" themes. The conditions for theatres were very strict, mainly for new plays which had to be approved by the regime. There were some improvisation but the reaction of the audience was not easy to predict. In this decade the authors pretend to believe in the ideas of Socialism. They write about the advantages socialistic development. Only in this were the authors were guaranteed that their work is going to be published and performed. This is the difference between 50s of 20th century, when the authors really believed in rightness of the socialistic development. Nevertheless, their beliefs were slowly broken and their private lives strongly influenced. The general concept of undistinguished greyness which means the official work of Normalisation period was opposed to work of some authors. These work were variable,...
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Camel through the eye of a needle 1926 and 1936 (film adaptations of the play by František Langer)
Čížkovská, Jana ; Klimeš, Ivan (advisor) ; Přádná, Stanislava (referee)
This Bachelor thesis focuses on two film adaptations of the play Camel through the eye of a needle by František Langer in Czech cinematography until 1936. These namely are the silent version directed by Karel Lamač, produced in 1926, and the sound version directed by Hugo Haas and Otakar Vávra in 1936. The first part of this work generally describes the original theatre play, its history, structure and developement of the main text. It shows, how successful this play was on Czech, European and American stages and how this treatrical success influenced distributional possibilities of the film adaptations in the following years. The second part then compares two film adpatations, describes their production background, cast, public and media reception.
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Nina Sadur as a playwright
Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
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Dramatic education in the leisure centers for mothers and children and its impact on the creativity of children
DOMINOVÁ, Lucie
This thesis deals with the influence of drama education on the creativity of a child attending leisure facilities. The first part focuses on a brief history of drama, its components and genres. The thesis also deals with a comparison of drama and drama education, theatre education and its effects on the child's personality. It describes the personality of the teacher of leisure facilities, parent and child. The practical part is focused on one of the activities practised at the Children and Youth Centre in Jindřichův Hradec - Baby Club. Baby Club focuses on activities for parents and toddlers and preschool children and allows them to productively spend their leisure time together. The thesis further describes some of the activities and their impact on children, parents and teacher. The emphasis is given on the importance of all leisure facilities and activities that support children's creativity and shape their personality
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